The Curator's Role in Art Education
- Does a curator consider themselves a pedagogue?
- How does (public) education influence their exhibition design? Do they consider it at all?
- Who do they consider to be their audience?
- If the museum is a public space, do they feel the need to create accessible exhibitions?
- Why are their different departments for curation and museum education? Aren't they one in the same?
These contributions will focus on:
- Corporations, agencies, and institutions that choose artists (creative industries) to spearhead education/community initiatives.
- Service-based learning residencies that focus on community "growth" and enrichment, conferences featuring established pedagogues and learning/behavioral psychologist, and modular programing
- Creative classroom resources and teacher support strategies
http://www.racc.org/public-art/racc-opportunity-intersections-residency-portland-archives
Project Row House
http://projectrowhouses.org/
Intersection - SF
http://theintersection.org/programs/artist-residencies/
Rural Studio - Auburn
http://apps.cadc.auburn.edu/rural-studio/Default.aspx
Project Locus - New Orleans
http://www.projectlocus.org/locabout.htm
Habana Works - Brooklyn
http://www.habanaworks.org/programs/program/usbk
The Power House/Design 99
http://www.visitdesign99.com/index.php?/studio/power-house-project/
The Edible School Yard
http://edibleschoolyard.org/
Marwen - Chicago
http://www.marwen.org/
Mindpop
http://mindpop.org/
Big Thought
http://www.bigthought.org/
Trash for Teaching
http://www.trashforteaching.org/
SparepARTS Studio
http://sparepartstudio.org/
Spontaneous Interventions
http://www.spontaneousinterventions.org/
assemble: a community space for art + technology
http://assemblepgh.org/
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