Teacher Read-Aloud That Models Reading for Deep Understanding
http://www.readwritethink.org/professional-development/strategy-guides/teacher-read-aloud-that-30799.html
International Literacy Association
https://www.literacyworldwide.org/
Revisiting Read-Alouds: Instructional Strategies that Encourage Students' Engagement with Text
By: Vanessa Morrison, Lisa Wheeler
http://www.readingrockets.org/article/revisiting-read-alouds-instructional-strategies-encourage-students-engagement-text
Effective Read-Aloud Strategies for Your Classroom
https://www.advancementcourses.com/blog/readaloud-strategies
In Defense of Read-Aloud: Sustaining Best Practice
Written by Steven Layne Foreword by Regie Routman
https://www.stenhouse.com/content/defense-read-aloud
Tuesday, February 26, 2019
Mechanics of Read Aloud
Mechanics of Read Aloud
Dr. Brian Sturm
Date: 02/03/2016
In this video, from the School of Information and Library Science at UNC-Chapel Hill, discusses some of the fundamentals of reading aloud picture books to young children.
Key Lessons:
Make sure listeners sit at a 90 degree angle so that everyone can see.
Eye contact with listeners is very important.
Books are intended to be read close by one/two people, for this reason EVERY book does not make a great read aloud book for small children. Be weary of small intricate illustrations and too much text.
Choosing a good read aloud book -
- Simple illustrations
- Bold outlines
https://www.youtube.com/watch?v=54mcQtP6i0k
Postmodern Principles: In Search of 21st Century Art Education
Art Education Journal | January 2004
Postmodern Principles: In Search of 21st Century Art Education
https://www.academia.edu/848181/Postmodern_Principles_In_Search_of_a_21st_Century_Art_Education
Olivia Gude
Gude, Olivia. “Postmodern Principles: In Search of a 21st Century Art Education.” Academia.edu - Share Research, www.academia.edu/848181/Postmodern_Principles_In_Search_of_a_21st_Century_Art_Education
Date: 02/26/2019
What do our students need to know to understand the art of many cultures, in the past and in the 21st century?
Olivia Gude's Addition to Principle of Design
Appropriation
For the students, recycling imagery felt comfortable and commonplace.
If one lives in a forest, wood will likely become one’s medium for creative play. If one grows up in a world filled with cheap, disposable images, these easily become the stuff out of which one makes one’s own creative expression.
Juxtaposition
Robert Rauschenberg revolutionized expressive painting when he substituted the seemingly random juxtaposition of found images for the personally generated abstract mark.
Recontextualization
The term juxtaposition is useful in helping students to discuss the familiar shocks of contemporary life in which images and objects from various realms and sensibilities come together in intentional clashes or in random happenings.
Often the meaning of the artwork is generated by positioning a familiar image in relationship to pictures, symbols, or texts with which it is not usually associated.
Layering
As images become cheap and plentiful, they are no longer treated as precious and placed carefully side by side, but instead are often literally piled on top of each other.
Interaction of Text & Image
The text does not describe the work, nor does the image illustrate the text, but the interplay between the two elements generates rich, (and ironic), associations about gender, social possibilities, and cleanliness. Students making and valuing art in the 21st century must to be taught not to demand the literal matching of verbal and visual signifiers, but rather to explore disjuncture between the two modes as a source of meaning and pleasure.
Hybridity
The concept of hybridity also describes the cultural blending evident in many artists’ productions.
Gazing
The term gaze is frequently used in contemporary discourses to recognize that when talking about the act of looking it is important to consider who is doing the looking and who is being looked at (Olin, 1996). Gazing, associated with issues of knowledge and pleasure is also a form of power—controlling perceptions of what is “real” and “natural.”
Representin’
U.S. urban street slang for proclaiming one’s identity and affiliations, Representin’, describes the strategy of locating one’s artistic voice within one’s personal history and culture of origin.
Key Quotes:
"I pondered the piles of insignificant exercises on line, shape, or color harmonies that I have seen left behind by hundreds and hundreds of students at year’s end. I wonder why what is still considered by many to be the appropriate organizing content of the foundations of 21st century art curriculum is but a shadow of what was modern, fresh, and inspirational 100 years ago."
Postmodern Principles: In Search of 21st Century Art Education
https://www.academia.edu/848181/Postmodern_Principles_In_Search_of_a_21st_Century_Art_Education
Olivia Gude
Gude, Olivia. “Postmodern Principles: In Search of a 21st Century Art Education.” Academia.edu - Share Research, www.academia.edu/848181/Postmodern_Principles_In_Search_of_a_21st_Century_Art_Education
Date: 02/26/2019
What do our students need to know to understand the art of many cultures, in the past and in the 21st century?
Olivia Gude's Addition to Principle of Design
Appropriation
For the students, recycling imagery felt comfortable and commonplace.
If one lives in a forest, wood will likely become one’s medium for creative play. If one grows up in a world filled with cheap, disposable images, these easily become the stuff out of which one makes one’s own creative expression.
Juxtaposition
Robert Rauschenberg revolutionized expressive painting when he substituted the seemingly random juxtaposition of found images for the personally generated abstract mark.
Recontextualization
The term juxtaposition is useful in helping students to discuss the familiar shocks of contemporary life in which images and objects from various realms and sensibilities come together in intentional clashes or in random happenings.
Often the meaning of the artwork is generated by positioning a familiar image in relationship to pictures, symbols, or texts with which it is not usually associated.
Layering
As images become cheap and plentiful, they are no longer treated as precious and placed carefully side by side, but instead are often literally piled on top of each other.
Interaction of Text & Image
The text does not describe the work, nor does the image illustrate the text, but the interplay between the two elements generates rich, (and ironic), associations about gender, social possibilities, and cleanliness. Students making and valuing art in the 21st century must to be taught not to demand the literal matching of verbal and visual signifiers, but rather to explore disjuncture between the two modes as a source of meaning and pleasure.
Hybridity
The concept of hybridity also describes the cultural blending evident in many artists’ productions.
Gazing
The term gaze is frequently used in contemporary discourses to recognize that when talking about the act of looking it is important to consider who is doing the looking and who is being looked at (Olin, 1996). Gazing, associated with issues of knowledge and pleasure is also a form of power—controlling perceptions of what is “real” and “natural.”
Representin’
U.S. urban street slang for proclaiming one’s identity and affiliations, Representin’, describes the strategy of locating one’s artistic voice within one’s personal history and culture of origin.
Key Quotes:
"I pondered the piles of insignificant exercises on line, shape, or color harmonies that I have seen left behind by hundreds and hundreds of students at year’s end. I wonder why what is still considered by many to be the appropriate organizing content of the foundations of 21st century art curriculum is but a shadow of what was modern, fresh, and inspirational 100 years ago."
Quotes | Creativity
Ongoing list of quotes to do with creativity.
---
Take chances, make mistakes, and get messy. Ms Frizzle
Creativity takes courage. Henri Matisse
Stress and worry, they solve nothing. What they do is block creativity. You are not even able to think about the solutions. Every problem has a solution. -Susan L. Taylor
My life didn’t please me, so I created my life. Coco Chanel
You can’t use up creativity. The more you use, the more you have. Maya Angelou
The most talented, thought-provoking, game-changing people are never normal. Richard Branson
If you’re not doing some things that are crazy, then you’re doing the wrong things. Larry Page
Vulnerability is the birthplace of innovation, creativity and change. Brené Brown
Create with the heart; build with the mind. Criss Jami
The question is not if we will be extremists, but what kind of extremists we will be. The nation and the world are in dire need of creative extremists. Martin Luther King Jr.
The worst enemy to creativity is self-doubt. Sylvia Plath
My life didn’t please me, so I created my life. Coco Chanel
Almost all creativity requires purposeful play. Abraham Maslow
Outrageous behavior, also known as the lunatic fringe, is the seed bed of innovation and creativity. Joel Salatin
Art, freedom and creativity will change society faster than politics. Victor Pinchuk
When you can do a common thing in an uncommon way; you will command the attention of the world. George Washington Carver
---
Take chances, make mistakes, and get messy. Ms Frizzle
Creativity takes courage. Henri Matisse
Stress and worry, they solve nothing. What they do is block creativity. You are not even able to think about the solutions. Every problem has a solution. -Susan L. Taylor
My life didn’t please me, so I created my life. Coco Chanel
You can’t use up creativity. The more you use, the more you have. Maya Angelou
The most talented, thought-provoking, game-changing people are never normal. Richard Branson
If you’re not doing some things that are crazy, then you’re doing the wrong things. Larry Page
Vulnerability is the birthplace of innovation, creativity and change. Brené Brown
Create with the heart; build with the mind. Criss Jami
The question is not if we will be extremists, but what kind of extremists we will be. The nation and the world are in dire need of creative extremists. Martin Luther King Jr.
The worst enemy to creativity is self-doubt. Sylvia Plath
My life didn’t please me, so I created my life. Coco Chanel
Almost all creativity requires purposeful play. Abraham Maslow
Outrageous behavior, also known as the lunatic fringe, is the seed bed of innovation and creativity. Joel Salatin
Art, freedom and creativity will change society faster than politics. Victor Pinchuk
When you can do a common thing in an uncommon way; you will command the attention of the world. George Washington Carver
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